HEDWIG BARRY



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Hedwig Barry (b.1969, Bloemfontein) is a Cape Town-based painter and sculptor. Through her work, she investigates the relationships between perception and intuition, using scale, density and colour to create visual worlds as rich in their outward associations as they are in their internal complexity.


Barry is deeply curious about the ethics of artistic practice, and how these extend beyond issues of representation to questions of care, responsibility, ecology, community and personal alignment. Her background as a producer and collaborator in the fields of art publishing and moving image inform her present thinking around the interconnectedness of communities of practice. Her work draws on the knots of relations that hold together societies, families and chosen communities, and searches for a visual language for these interdependencies.


Visually, Barry works in an abstract idiom that questions the classical delineation between foreground and background, or figure and ground. For her, all is at once ground and groundlessness. Her painterly surfaces evoke open fields and bodies of water, expansive and at times even bewildering. Inspired by Gertrude Stein’s notion of landscape dramaturgy, Barry proposes all-at-once surfaces that are not predetermined by particular subjects or representations. Rather, each work invites the viewer to stage their own perceptual ‘event’ in the action of looking.

In 2020 Barry completed an MA Fine Arts at the Wits School of Arts, and was commissioned to produce a body of large-scale outdoor sculptures of BMW’s South African headquarters in Midrand. She has also produced large-scale sculptures in public space, one of which, Crumple (Jeanette Schoon) (2021) is housed permanently in the collection of the Constitutional Court of South Africa.  Her work has been presented at the Nirox Sculpture Park, Constitution Hill, The KwaZulu Natal Society of the Arts, the AVA Gallery and at the Investec Cape Town Art Fair, amongst other venues. She will take up a Fellowship with the Ampersand Foundation in New York City in May 2026.




HEDWIG BARRY



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Hedwig Barry (b.1969, Bloemfontein) is a Cape Town-based painter and sculptor. Through her work, she investigates the relationships between perception and intuition, using scale, density and colour to create visual worlds as rich in their outward associations as they are in their internal complexity.

︎︎︎Full bio
Hedwig Barry: Here Is Where We Meet

NIROX Sculpture Park, Johannesburg
22/02/2022–13/03/2022

About Hedwig Barry.  

Download the catalogue (44.6 MB).
Download small version of the catalogue (10.4 MB)

View the exhibition on Artsy

Press Release:

FORMS Gallery and NIROX Sculpture Park  are pleased to present Here Is Where We Meet, a solo exhibition by Hedwig Barry.

Barry’s first solo exhibition, Here Is Where We Meet, is a collection of  sculptures and paintings completed during her seven-week residency at the NIROX Sculpture Park.

The exhibition centres around new Crumple sculptures, large-scale three-dimensional works made from massive sheets of crumpled metal welded together and then painted  to create complex and enigmatic forms.

The Crumple series dramatises the relationship between force, scale and fragility, drawing attention to the simultaneous structural resilience and vulnerability of the work’s primary material, aluminium sheets. Barry’s sculptures explore the relationship between destruction and preservation, force and form: the works were initially inspired by crumpled up paper, and then invisible  “crumple zones” in cars – areas in the bodies of cars which are designed to buckle in the instance of an accident, absorbing the force of impact and protecting the bodies inside the vehicle.

Alongside the Crumple sculptures Barry presents paintings on canvas which continue her exploration of automotive paints and painting techniques used on the Crumples’ surfaces. These paintings derive from memories of experiences in nature, using colour and form to evoke different environments that are ecologically unique and increasingly vulnerable. The visual language of the paintings spills into the sculptures, areas of which are hand-painted in a similar style.

“The surfaces that interest me provide opportunities for forms of looking that are persistent and patient, and therefore resilient,” Barry says. “At the same time, I strive to create surfaces that are enchanting and seductive, that offer the viewer an experience of the sublime. I see exuberance, enchantment and resilience as concepts that are unified through both the act of making work and the act of experiencing it as a viewer. Through creating complex and exuberant surfaces, I investigate the ways in which we – artists and viewers – can practice different kinds of resilience, self-care and space-holding for ourselves and others.”

The exhibition extends from the Covered Space at the NIROX Sculpture Park to the park grounds, and until 4 February will be supplemented by smaller-scale works and exploratory video pieces on show in and adjacent to the studio in which Barry has been working for the duration of the residency.


Scroll down for image captions.
 

























Images (top to bottom):
1. Installation view showing “Angel of History”  (sculpture)  and “Johannesburg” (painting). Photo: Alexi Portokallis
2.  Installation view showing “Arch”. 
3. Hedwig Barry, “Arch”, 2022, automotive paint on aluminium, 170 × 350 × 170 cm.  Photo: Alexi Portokallis
4. Hedwig Barry, "Seat", 2022, automotive paint on alumnium, 120 × 120 × 60 cm. Photo: Alexi Portokallis
5. Hedwig Barry, "Mother", 2022, automotive paint on aluminium, 390 × 260 × 270 cm. Photo: Alexi Portokallis
6. Hedwig Barry, "Sharkboy", 2022 Automotive paint on aluminium, 180 × 110 × 210 cm. Photo: Alexi Portokallis
7. Hedwig Barry, "Marievale", 2021, automotive and oil paint on previously used canvas, 160 x 130 x 7 cm. Photo: Liz Whitter
8. Hedwig Barry, "Tswalu", 2021, automotive and oil paint on previously used canvas, 160 x 130 x 7 cm. Photo: Liz Whitter
9. Hedwig Barry, "Johannesburg", 2021, automotive and oil paint on previously used canvas, 220 x 100 x 7 cm. Photo: Liz Whitter
10. Hedwig Barry, "Makuleke", 2021, automotive and oil paint on previously used canvas, 220 x 160 x 7 cm. Photo: Liz Whitter